I was able to work on this game cinematic, where I did the matte painting for two shots. When needed, I modeled and sculpted the destruction with a basic texture, then light it appropriately to prepare a 3D matte painting with paint overs. The final game trailer is located further down after my breakdown.
I was able to work on this game cinematic, where I did the matte painting for two shots. When needed, I modeled and sculpted the destruction with a basic texture, then light it appropriately to prepare a 3D matte painting with paint overs. The final game trailer is located further down after my breakdown.
I was able to work on this game cinematic, where I did the matte painting for two shots. When needed, I modeled and sculpted the destruction with a basic texture, then light it appropriately to prepare a 3D matte painting with paint overs. The final game trailer is located further down after my breakdown.
Olivier Dubard
Concept Art/Visual Development
The fate of the furious
Description:
On Fats And Furious 8 I was exclusively doing matte painting. I did a lot of mountain and ground DMP,and painted over CG a number of time.
Matte Painting, set extension.
Matte Painting, set extension.
Matte Painting, set extension.
Matte Painting, set extension.
Matte Painting, set extension.
Matte Painting, set extension.
Matte Painting, set extension.